This is the third album from this black metalpunk band. At the heart of their sound is second-wave black metal, but it's laid overtop a punk rock chassis. The guitars are fuzzed out in a very punk way, giving this an almost 1980s feel. The vocals are fairly standard black metal growls, but convincingly and forcefully sung. The band can do short sharp shocks of two minutes or so, but they can also pull off ten minute epics as the last track shows us, completely with a bunch of musical experimentation. This is quite a record, and one that deserves hearing.
Thursday, September 10, 2026
Devil Master--Bloody Dreams (CD/LP/CS) (2026 Relapse Records)
This is the third album from this black metalpunk band. At the heart of their sound is second-wave black metal, but it's laid overtop a punk rock chassis. The guitars are fuzzed out in a very punk way, giving this an almost 1980s feel. The vocals are fairly standard black metal growls, but convincingly and forcefully sung. The band can do short sharp shocks of two minutes or so, but they can also pull off ten minute epics as the last track shows us, completely with a bunch of musical experimentation. This is quite a record, and one that deserves hearing.
Profanation--Ultra-Noise Warfare CD&LP{Iron Bonehead Prod.}
Nuclearhammer--Xaos 333 MLP&MCD{Iron Bonehead Prod}
Barracuda--Barracuda (CD/LP/CS) (2026 Independent)
Here we have classic heavy metal from Germany with solid vocals and playing. This is very much in the vein of 80s European metal, with a little of speed that the Germans were known for sprinkled in. It's nice to hear a female vocalist that sings in a true metal style, and not just a pop style put to metal music like some of the bigger bands. Oddly enough, I can hear some King Diamond in the vocals, due to her cadence and diction. Perhaps a more vocally melodic version of Savage Master is a good way to describe the band, without the occult overtones.
Thursday, September 3, 2026
Archgoat--Nightbringer,Lightbringer CD,LP{Debemur Morti Prod.}
Legendary black metal band Archgoat return with a new assault of brutal,uncomprimising black and death metal.Nightbringer,Lightbringer contains a intro and ten songs of well executed black death metal that is extreme in every sense of the word.The guitars are a mix of well played mid paced patterns and some insanely faster more brutal passages.The guitarist does write some memorable and well delievered patterns.The drums are a mix of the same with some intense fast and crazed drums.The drummer does slow to a more heavy and powerful mid paced drum pace in a few of the songs.The vocals are death metal growls that are powerful in their delievery.Their are also some raw gruff growls used in a few of the songs. Nightbringer,Lightbringer is another great release of quality well delievered black metal from one of Finland's best. Archgoat https://www.facebook.com/archgoat.official Debemur Morti Prod. https://www.debemur-morti.com/en/ https://archgoat666.bandcamp.com/album/nightbringer-lightbringer https://www.facebook.com/debemurmorti https://www.instagram.com/debemurmorti/
Tuesday, September 1, 2026
Interview with Abysmal Growls Of Despair
1.Hello Hangsvart please introduce yourself to the readers? Hello Patrick, my first name is Aimeric, I was born in France in 1991 and moved to live in the UK in 2020. I am now located in the north east of England. I had a few other solo projects beside AGoD and sang for a few bands. I have been also a singer for hire for a while but I have diminished all of these things to focus on AGoD and now Abysmal Rage and personal things. 2.At what age did you become interested in writing and performing music?Who would you say are some of your all-time favorite musiciaans and influences over the years? I started playing bass and guitar in 2007. I had been suffering for a few months from schizophrenia and depression. It is really what got me into music and writing poetry. I have discovered metal at the same time but in some very unusual ways. The first bands I discovered were Ataraxie, Funeralium, Remembrance (three French bands of funeral doom), Shape of Despair, Skepticism, Comatose Vigil, Catacombs/Hierophant, SUNN O))), My Shameful, and other similar bands. They have stayed with me all these years. Amenra has been very present as well, but I discovered them a little later, more around 2010. Earth has been very present, some black metal bands such as Gris, Hate Forest, Siebenburgen. Beside metal, I have always listened a lot to dark ambient like Northaunt, dark folk, like Nebelung (which makes me think about Empyrium which I love too), Pop like Pink Floyd and London Grammar, a lot of classical music and film soundtracks, and a lot of traditional songs/bands like Huun Huur Tu. More recently I have been listening to more mainstream metal bands like Cannibal Corpse, Immolation and Behemoth, as I can find their tabs easily and I am now focusing on Abysmal Rage, death doom metal.3.What instruments do you currently play?Are you self taught or did you take lesons when first starting out? Currently I play 8 string guitars, 5 string bass and the Tsuur, an ancestral vertical flute from Mongolia. I am self taught in everything regarding music, playing, singing, composing, recording, mix/mastering. 4.Are their any instruments that you would like to learn to play one day? If I had the money and the time, I would love to learn to play many ancestral flutes, musical horns and the carnyx. 5.You also handle the vocals for the band when did you first start growling and singing?Do you do anything special to keep your throat and voice healthy?
I started to growl/grunt very early on. I am not a good clean singer, I had taken a few lessons in lyrical singing around 2013/14, I am not sure of the date anymore, but I always felt too disconnected with clean singing to continue. I can only express myself through guttural singing. And now I have mastered 4 very different techniques of guttural singing. The grunt, that you hear in most metal bands, like Cannibal Corpse, Behemoth and such, can be high, mid and low pitch. The growl, that you almost never hear, I am only sure to have heard it in the band Devangelic. But I think some bands of brutal death/grind death and such, use it. It can be mid and ultra low, spoken, whispered or louder than normal speech but it is not as aggressive as grunt which is why it is rarely used. It has been my main type of guttural singing in AGoD. The Kargyraa, which is an ancestral type of singing. It was used all over the world but now can only be heard in Mongolia/Tuva/Siberia, Tibetan Monks, and a few other groups. But bands like Heilung are using it a lot. And what I call guttural harmonics, which is basically a mix between grunt and kargyraa and yet sounds very different, with amazing harmonics. I try to sing everyday, and I often start with kargyraa or guttural harmonics to warm up my voice. But besides that, I do not do anything special.6.Hangsvart you started Abysmal Growls Of Despair back in 2013 when did you get the idea to start this band? How did you choose Abysmal Growls Of Despair as the name of the band?
Since I started to play bass and guitar I started to compose as well. For one, at the time you could not find tabs of the bands I was listening to. I quickly discovered My Dying Bride and tabs were available of them but it is no funeral doom. I just had to do it, to put down what is in my mind, poetry or music. For the name I wanted something to reflect the despair and the main type of vocals I was using, deep growls. And I thought that the word Abysmal was a good idea as it is conveying many different meanings. Where abyssal has only one, really.
7.I believe you are the sole member of the band have you always worked alone? Would you like to find more members to do some live shows or do you prefer to work alone?
I much prefer to work alone. I was extremely withdrawn from reality and to be around other people has always been very hard for me, triggering a lot of my symptoms. I need to live away from human interactions, as much as possible to feel well. Before living on my own I was pushed to be normal and have friends and do things with others. I tried. I tried hard and for so long. But every single band I have tried to be part of or to form quickly made my sickness worse and I had to quit. I have been a singer for others but via online/international collaborations, that was fine. But I much prefer working alone. Since living in the UK and having to handle both French and English in my daily life, I was not able to write anymore and that is why I stopped all poetry. However, I was/am very open to use other people's writings if they wished to. Especially when the texts/poems/lyrics are of good quality. Like for Torn, the lyrics were written by Jorg, a wonderful writer. And the first album of Abysmal Rage, soon out with Wormhole Death, is using my companion's poems. I do not want to do any live shows. I had the chance to do some in Toulouse, France, as the singer of a death metal band. The concerts themselves were fun to do, but all the hours before where I had to be among humans were hard.8.If you had the opportunity to work with any musicians who would you like to work with?
If I had the opportunity to work with other musicians it would be as a singer for them. I do not have any artist in mind. But I would be open to any ancestral music, or bands searching for ancestral singing. Bands who do not want to have any physical contact or live show. 9.Who would you say are the bands biggest influences and have they remained the same over the years? For the readers who have never heard Abysmal Growls Of Despair how would you best describe your music?
I would say the main influences that have remained the same until now are Ataraxie, Remembrance, Comatose Vigil, Amenra, Hate Forest and Northaunt. It is not easy to describe AGoD because I have composed albums of funeral doom, of dark ambient and of drone. But I would think the main albums would be of funeral doom. I would say that AGoD is focused on slow overwhelming music with deep growls. The main themes are despair, madness, death, grief, ancient civilisations and spirituality and misanthropy. It is not a music for everybody and I know that most people won't like it and won't even sit through a full song, being often longer than 10 minutes. My music always focuses on feelings, it is made to make you feel something, it is emotional and ambient. It is not something you headbang along. It is something you experience because it is created from what I experience, because I do music to be myself, to express things that are inexpressible, things that haunt me.
10.Torn is the newest full length how long did it take you to write the music for this release?How long does it usually take you to complete one song?
I don't really remember, I would say between 4 and 6 months for the full album, from composition to master. For one song, it depends, but I'll say between one week and 3 weeks, from composition to master. But the master is always done last, once I have all the songs mixed. And before to have all the songs mixed, I can rerecord some instruments/vocals if needed to have the most coherent sound through the album.
11.Where do you draw inspiration for the lyrics and what are some subjects written about on the new release?
The last release's lyrics were written by Jorg Puschmann. They are autobiographical and relate what he went through while caring for his wife when she was fighting her cancers. For previous releases, my main inspiration has always been my own sickness and depression, but also in a general way despair, madness, death, grief, ancient civilisations and spirituality and misanthropy. 12.Besides Torn are the bands previous releases still availible for the readers to purchase? If yes where can the readers purchase your releases?
Yes, of course, all the previous releases are on my bandcamp, to stream and download. And all the major releases are on all streaming platforms like youtube, spotify and such. Torn will soon be available in CDs, from my bandcamp and many online stores. A few older releases in CDs/physicals must still be available here and there online. 13.Do you currently work with any other bands or solo projects? If yes please tell the readers a little about them?
I do not work with any other bands but I am currently working on my new solo project, Abysmal Rage. The first album, A House No One Could Live In, will be available with Wormhole Death Records the 6th of November. It will be only a digital release. The lyrics were written by my companion. Let me share with you the official description of the album: A House No One Could Live In is an oppressive album of Death Doom Metal. The massive and crushing power of 8 string guitars and 5 string bass immerse the listener in hatred and rage. The vocals are drenched in desperation, rage, blasphemy and human terror. The lyrics of some tracks describe autobiographical events, others consist of spiritual metaphors.14. When you need to take a break from working on new music or band business what do you like to do in your free time?
Spirituality is very important to me and is a big part of my daily life. The shortest way to give you an idea is to let you imagine shamanic practices. I enjoy playing video games on PC as well, like The Elder Scrolls, The Witchers, Shadow of Mordor/Shadow of War, Diablo 3 and 4, Senua's Sagas, ...
15.Thank you Hangsvart for taking the time to fill this interview out do you have any final comments for the readers?
Thank you for submitting this interview. I liked your questions, many of them are not often asked. I like to add to my interviews that people with financial difficulties and/or health issues can contact me via my bandcamp if they wish to download an album for free. I will gladly provide a download code.
Abysmal Growls Of Despair
https://abysmalgrowlsofdespair.bandcamp.com/album/torn
https://www.facebook.com/abysmalgrowlsofdespairofficial/
Wednesday, August 26, 2026
Dart - Speed Days (LP) (2025 Agipunk Records)
Dart from Finland have chosen to mix speed metal and hardcore punk and have churned out quite the record. It comes off sounding like an amped-up-on-meth version of Motorhead with frantically performed vocals and nonstop speed. One wild thing that they do from time to time is mix in some Hammond organ to add some melody, like in the song "Sick Game," and it's a wonderful addition that adds a whole new layer to their punked-up metal music. Often they have one guitar playing a melody overtop the main riff, in a very punk style, and it also reminds me of the early days of Finnish death metal. The bassist is particularly impressive on this album, laying down a constant low-end barrage for the rest of the music to rest upon. If you are at all a fan of early speed metal, punk like Discharge or Anti-Nowhere League, or just solid thrash, this is probably something you should seek out and hear. I know it's on my "to-buy" list.
Tuesday, August 25, 2026
Abysmal Growls Of Despair--Torn {Digital}{Independent}
Monday, August 24, 2026
Nocturnal Corruptor--Obscuring the Hecatomb (CD) (2026 Independent)
This is rather raw black metal with a distinctly US feel to it, and it comes to us from Oklahoma. Mainly big, open riffs are used, with lots of tremolo picking. They're classic black metal fare with plenty of nuances that reveal themselves after multiple listens. The vocals are obscure and buried behind a layer of mud in the production, but the sound works nicely and gives this a proper occult feel. When the blastbeats hit they are steady and fierce, and I can't tell if they're programmed or live drums due to the production. It doesn't matter. What matters is the songs, and these are damn fine for the most part. They occasionally drag a bit when the slower more melodic riffs are doing the heavy lifting instead of the more brutal, faster riffs, but those are my preferences calling the shots. I always like brutal. I rarely like slow. So there it is. This is definitely worth snapping up the limited CD from their Bandcamp site, especially if you prefer your black metal a little bit raw.
nocturnalcorruptor.bandcamp.com
Sunday, August 23, 2026
Unholy Redeemer--Journey Beyond Death CD&LP and CS.{Extremely Rotten Productions/Dark Descent Rec.}
Friday, August 21, 2026
Unchurch--Self Titled CD&Digital{Chaos Rec.}
Sepulcrum--Lacerator CD&CS.{Chaos Rec.}
Lacerator is the second full length from Chile's Sepulcrum who do a great job of creating memorable death metal.The songs are extremly well written and performed with some memorable guitars and drum passages.The guitars are a mix of mid paced heavy passages with some well executed patterns.The guitars do speed to a faster more aggressive pace throughout some of the songs for a nice mix of the two styles.The drums are well delievered with some intense mid paced drums that are heavy drm patterns.The drummer does speed up to a faster brutal pace in some of the songs for a nice mix,The vocals are death metal growls that are raw and intense with some gruff growls also used in a few of the songs.Lacerator is a really impressive death metal release that should please fans of the late 80's and 90's death metal. Sepulcrum https://www.instagram.com/_.sepulcrum._ Chaos Rec. https://www.chaos-records.com/?v=0b3b97fa6688 https://chaos-records.bandcamp.com/album/lacerator https://www.facebook.com/chaosrecords https://www.instagram.com/chaosrecs/
Crypted Hate--Moral Onslaught CD&digital{Independent}
Crypted Hate is a trio who come out of India's death metal scene and this is a review of their debut full length.Moral Onslaught contains a intro and eight tracks of old school death metal.that is performed with some memorable passages.The music is a mix of fast and intense guitars and drums that are played with intensity.The music does slow to a mid paced slower pace,The vocals are a mix of death metal growls that are powerful and some raw gruff growls and screams are also used throughout the songs.Moral Onslaught is a really well written and performed release if you are looking for a new band that plays aggressive old school death metal then defintly give Crypted Hate a chance and check em out today. Crypted Hate https://cryptedhate.bandcamp.com/merch https://www.facebook.com/profile.php?id=61552555803000 https://www.instagram.com/cryptedhate https://www.youtube.com/channel/UCgQHjHo6hTckUZt-Znx9_hQ
Sunday, August 16, 2026
Anima Mortalis--Relics Of Inhumanity{Digital}{Independent}
Saturday, August 15, 2026
Bothrash--Almas Poseidas cd&digital{Grimm Distribution/Sanatorio Rec.}
Inmortui--Undead Suffering EP.{digital}{Independent}
Inmortui is a four man band coming out of Oregon's brutal death metal scene and this is a review of their newest EP.Undead Suffering is six tracks of brutal death metal that is powerful and intense.The band does add some grinding sections throughout the songs for a nice mix.The guitars are played with fast and frenzied guitar passages.The guitarist does add some well performed heavier mid paced guitars even adding in a few solo's in a few of the tracks.The drums are delievered with hyper blast beats that are pummeling to the listener.The vocals are a mix of heavy brutal death metal growls that are powerful in the delievery.Their are also some vicious well delievered screams.Inmortui plays a great style of brutal death metal with a healthy dose of grinding influence entertwined into the music. Inmortui https://inmortui.bandcamp.com/ https://www.instagram.com/inmortui_pdx/
Friday, August 14, 2026
Gravety--Of Cults and Chaos (CD/LP) (2026 Barhill Records)
Ah, yes, epic heavy metal. It's one of my favorite things on planet Earth, and right up there with death metal as far as satisfying my metal-listening tapeworm. Gravety from Germany have laid upon us their third full length and first in five years. I can't speak to what their earlier releases were like, but the Archives tells us they once referred to their style as "thrash 'n' doom" metal. That's not inaccurate as far as they riffs go at all. They have a definite chug factor like a thrash metal band does, but their vocal melodies push them completely into the epic heavy metal category. The remind me a lot of the band Doomsword, another epic doom band with a distinct heavy metal side to them. While this isn't as musically capable as, say, a band like Khemmis (not much is), the band is quite good at evoking that epic feel I like so much, relying on the bombastic riffs and soaring vocals to give us that feel. The vocal harmonizing is key to this, and it's done often and well, but not outside of the vocalist's range. He stays in his comfort zone for the most part, and that's smart. There's a heavy H.P. Lovecraft influence at work in the lyrics and album concept, which is nice to hear outside of extreme metal. The lyrics seem to tell stories, which I am a fan of ever since when I was young I realized that's what King Diamond was doing with his lyrics - telling us a story. While not knock-me-over incredible, this is highly respectable, and fans of the epic shit should go out of their way to find it. Plus, the cover art is amazing and evocative.
Nocturnal Departure--Spiritual Cessation (CD/LP/CS) (2026 Hells Headbangers Records)
I love reviewing black metal bands that appear on Hells Headbangers, because almost every time I can be assured that the band is good, authentic, and not pretentious. Hells has my vote of confidence when it comes to their releases no matter the genre. Nocturnal Departure is no exception. This album has that 1990s hellfire and brimstone feel to it, like some long lost treasure from that era buried by time and dust, but no more! There's just a hint of rawness in the production to make it that much more appealing to me - I love when bands show that they're not, in fact, perfect, and go out of their way to let us know. Digital recording has made it incredibly easy to appear to be perfect, and the human feel of music gets lost in that translation sometimes, but not here! Comparison-wise, I can hear Darkthrone, Satanic Warmaster, Mayhem, Watain, and some Celtic Frost. But as I often say, this band is not a list of influences, but something more than that. They are original and classic-sounding, pitch-black and heavy as fuck. The vocals are interesting, often buried under layers of reverb, and I wonder to myself if they can accomplish that live as well, that would be interesting. Either way, on the record the singer sounds evil and obscure, and that's proper black metal. This album should be of interest to all of you seeking that classic black metal experience, and if you know what I mean, you know what I mean. This band should be on every black metalist's radar.
Goddess--Ritual of the Cloven Hoof (CD/LP) (2026 Majestic Mountain Records)
Goddess is a recently renamed band from Sweden (they were formerly Goatess and had three full lengths under that name, and I personally think this is a fine name that makes their album title work better, but Goddess will do as well) with a very old take on metal, being firmly in the Black Sabbath camp. I usually don't review doom metal because I'm not as familiar with the nuances and the influence of stoner rock on the genre, which is definitely the case here, but in the case of Goddess the release is so good that I want to review it and get the word out. There's enough traditional doom here for me to sink my teeth into and enjoy this, as well as enabling me to talk about it intelligently. The vocals are what make the record for me. The rich vocal melodies and occult-influenced lyrics really push this into a new territory musically, one where I'll gladly listen to this over and over. It's a powerful performance, and one that deserves multiple listens because it's that damn good. The bottom line is that if you like Sabbath, you'll like Goddess. I perhaps like them more than Sabbath for the vocals (well, at least until Dio takes over for Ozzy). This is top notch stoner doom and has dark enough lyrics for my tastes on top of it all. If all doom had lyrics like this, I would probably listen to more of it! I really do enjoy the darkness of it all.
Wednesday, August 12, 2026
Atronos--Gram (CD) (2026 Purity Through Fire Records)
I can't understand the meaning of the German lyrics, but I can understand how fuckin' metal they sound, and Atronos is as metal as they come. At their heart, they play black metal, but they feature yelled and sung clean vocals in many passages rather than snarled or growled. It's quite diverse, vocally, with all sorts of styles and tones, and it's quite original sounding due to this. They bear some passing similarity to Eisenkult, but only superficially, and this is natural as they do share some members, including the vocalist. Stylistically they mix in epic heavy metal riffing with their brand of black metal, and the melodies soar overtop an aggressive rhythm section. The songs are almost always upbeat and aggressive yet somehow melodic and anthemic, and I imagine the choruses are singalong quality if you know German. Atronos is yet another band that I've recently stumbled upon that reminds me of the obscure English band Forefather, mainly for their epic style of riffing, and some of the vocal arrangements. This is quite a unique black metal record, and it's got a true metal feel to it, so I highly recommend it to you, reader.
Tuesday, August 11, 2026
Sojourner--Gateways (CD/LP/CS) (2026 Avantgarde Music)
An international project between Sweden and New Zealand, this is the fourth full length from this atmospheric black metal entity. I was expecting something a bit more in the way of epic riffs out of this band for some reason, and there are a few, but they're understated and not necessarily big and bombastic like I was expecting. The clean female vocals are perhaps the best part of this record, breathlessly performed and majestic. It puts the album much more in the vein of gothic metal than black metal. I might actually respect this more if they got rid of the growled vocals and went totally clean. I just feel like stuff like this loses sight of what black metal was meant to be in the first place, a fist in the face of the mainstream and the morality police, and by making it accessible like this, boiling it down to a musical style instead of an accompanying ideology, misses the overall point. But I digress. Note that my above criticism in no way means that the music isn't enjoyable. It is. Very much so. Just not from a traditional black metal perspective, a perspective shared by the underground for decades. There's no ugliness here, only dark beauty, and that runs counter to what I want in the genre, even on the atmospheric and epic side of things. I know, I have complicated thoughts on non-traditional black metal. It is what it is. I'll file this under gothic metal and be satisfied with it.
Witches Hammer--Final Storm (CD/LP) (2026 Nuclear War Now! Productions)
Another one of those bands whose history stretches back into the late 1980s but never put out a proper full length until 2020, Final Storm is the third and purportedly last Witches Hammer full length. The band was, in its early days, instrumental in helping build the Canadian extreme metal scene alongside bands like Blasphemy. The recording has an '80s style rawness to it while also being clear and well-engineered. I like how natural everything sounds and how not modern it is. The songs are polished and well-written and I'm sure some of them have been in the band's repertoire for years. If you're unfamiliar with this band but interested in classic death thrash or black metal, this should be a band you investigate immediately. This definitely isn't a record to miss out on, and it should be added to your collection post haste.
Torpor--Dungeon Descent (CD/LP) (2026 Dying Victims Productions)
Torpor from Poland have concocted something quite unique and original, being black metal musically but heavy metal vocally, with epic melodies overtop aggressive drums and expressive riffs. The riffing itself sort of reminds me of Abbath's riffing style in mid-period Immortal, but also of the obscure English band Forefather (who, if you haven't heard, please do). This, however, is totally original and cannot be compared to anything past what I already superficially compared them to, and that's exactly what it is, a superficial comparison. The drums have a quite nice natural sound, especially the ride cymbal, and they're produced perfectly. This is album of the year material, a performance of such power and innovation that every metalist should sit up and a take note. This has that metal magic that hooked us on the genre to begin with, that certain "something" that all classic albums contain. I look forward to even more material from this band, and if this LP is anything to judge by, this will be a very important band to metal in the future. For now, this album should be flying off the shelf and into collections everywhere, as I intend to make it do soon where my own collection is concerned.
Thursday, August 6, 2026
Agonysm--Litany Of Uncreation{digital}{Independent}
Agonysm is a band coming out of California's black death metal scene and this is a review of the bands debut full length.Litany Of Uncreation is six tracks of powerful and heavy black death metal.Musically the band blends heavy and fast paced death metal with some black metal musicial passages entertwined within a few songs. The vocals are death metal growls that are powerful and some raw,gruff screams are also used.Litany Of Uncreation won't get any points for originality but the band does perform solid death,black metal. Agonysm https://agonysm.bandcamp.com/album/litany-of-uncreation https://www.youtube.com/@Agonysm
Tuesday, August 4, 2026
Grotesque Revenant--Demo 2026{digital}{Independent}
Grotesque Revenant is a three man band coming out of Austin,Texas and this is a review of their debut demo.Demo 2026 is three songs of powerful and brutal death metal.The guitars are performed with fast and energentic guitar patterns that are well performed.The guitars do slow to a more calm pace throughout a couple of tracks for a nice mix.The drums are well performed with blast beats that will pummel the listener.The vocals are ferocious old school death metal growls and some newer deep death metal growls are used throughout the songs.Demo 2026 is a really good start to this new band if you are a fan of brutal death metal that just performs brutal death metal with no other genres added then defintly give Grotesque Revenant a listen today. Grotesque Revenant https://grotesquerevenant.bandcamp.com/album/demo-2026 https://www.facebook.com/profile.phpid=61568009999339&rdid=gdHgleFmDG5rtbZd&share_url=https%3A%2F%2Fwww.facebook.com%2Fshare%2F1D1sj1VtcG%2F# https://www.instagram.com/grotesquerevenant/ https://www.youtube.com/channel/UCd20-T2Y72gxG7o7_AP0cAg
Atomic Aggressor--The Occult Forces CD&LP and CS.{Hells Headbangers}
Expiatoria--A History in Three Acts (CD) (2026 Diamonds Production)
This is the second full length from this band that apparently began its life in 1987 and released a spate of demos and EPs up until their first full length release in 2022. An unorthodox history and an unorthodox band to fit that history, for sure. These Italians have created something quite interesting being part epic doom similar to Candlemass and part horrific heavy metal like Death SS. The playing is on par with both of these mentioned acts, and the vocals ride a line of quality between the two, neither as talented as Candlemass nor as rough as Death SS. They're unique in their own way. Some of the arrangements border on the progressive, with some quite complicated changes and time shifts with haunting passages and morose melodies. I believe "Seven Chairs and a Portrait" is my favorite track here, really leaning into occult horror and the heavy metal side of the band. Doom freaks and classic metal maniacs alike would do well to check this out, as it satisfies both types of fan.
Coffin Hunters--Cosmic Dawn (CD/LP) (2026 Independent)
Coffin Hunters play a unique form of heavy metal that mixes the sounds of the '70s with more modern heavy metal tropes. Think 1970s Judas Priest and Deep Purple mixed with Iron Maiden and Queensryche style vocals with some nods to modern metal throughout. Perhaps there's a little Goblin influence here, too? The thing that really puts this record over the top is the organ-style synths used to add to the melodies. It really pushes the originality. Plus, we all know I'm a sucker for a Hammond organ, and the sound here is similar to that at times, although other synth sounds make an appearance as well. This is truly epic shit that every metalist should hear. The melodies will be stuck in your head forever, and the atmosphere will completely envelop you. The riffs are playful and they make the songs quite fun, each song being a journey into weirdness and uniqueness. I can absolutely see why they used the song "Cosmic Dawn" as the title track of this album, it's a clear standout track. It's addictive and fantastically written. I just can't say enough positive things about this record. Just go hear it, and buy their shit. This is a band that deserves the support of the diehards for their originality and skill. This will clearly be on my albums of the year list this year.


%20cover%20art%20W.T.jpg)





























