Leatherwitch is the solo project of Marta Gabriel, the longtime vocalist of Crystal Viper. Leatherwitch is largely a continuation of Crystal Viper's work, although there are some stylistic differences. For me, the vocals are smoother and more well-produced than on the last Crystal Viper record. Marta also leans in more heavily to classic metal melody, reminding me a bit of Warlock in that regard. The choruses are all written to be extremely catchy and some of them are serious earworms. I'm impressed with the level of skill she shows with all the instruments here as well - even the drums, which are notoriously neglected on a lot of one-person projects, often resorting to haphazard programming. No, these are the real deal and she plays them well, assuming she plays them and didn't just leave session musicians off the credits. I love when she hits a high note on this record, they're so smooth. She has the same smooth high notes that Journey frontman Steve Perry had, and his were like silk. She has the same texture if not the same range. It could be a trick of production, but you can't polish a turd, so the raw tracks have to be impressive at the very least. This is one all traditional metal fans ought to be able to enjoy and I hope there's more where this came from.
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Tuesday, June 9, 2026
Leatherwitch--First Spell (CD/LP) {2026 Listenable Records}
Leatherwitch is the solo project of Marta Gabriel, the longtime vocalist of Crystal Viper. Leatherwitch is largely a continuation of Crystal Viper's work, although there are some stylistic differences. For me, the vocals are smoother and more well-produced than on the last Crystal Viper record. Marta also leans in more heavily to classic metal melody, reminding me a bit of Warlock in that regard. The choruses are all written to be extremely catchy and some of them are serious earworms. I'm impressed with the level of skill she shows with all the instruments here as well - even the drums, which are notoriously neglected on a lot of one-person projects, often resorting to haphazard programming. No, these are the real deal and she plays them well, assuming she plays them and didn't just leave session musicians off the credits. I love when she hits a high note on this record, they're so smooth. She has the same smooth high notes that Journey frontman Steve Perry had, and his were like silk. She has the same texture if not the same range. It could be a trick of production, but you can't polish a turd, so the raw tracks have to be impressive at the very least. This is one all traditional metal fans ought to be able to enjoy and I hope there's more where this came from.
